Grassroots journalism by humans, with natural intelligence, since 2006.
Cassandra Kunert (she/her) is a Contributing Editor for the Weaving the Streets project and has contributed several articles to the project in the past. She graduated from St. Lawrence University in 2021, majoring in Global Studies and Government and minoring in Arabic Studies. Cassandra’s recent work stands in fervent opposition to contemporary fascism, especially the far-right coalitions growing in rural America.
Over Thanksgiving weekend I was making the trek from northern Virginia to New York State’s Capital Region and back. I took two different routes, mainly to avoid tolls on the return trip. On the way back to Virginia, I came across a number of stickers and billboards featuring several unsettling far-right symbols. My investigation into each of them was disturbingly easy; a simple Google search resulted in pages of far-right online content. Although the movement is increasingly based online, the lived consequences are severe. Each of the symbols I witnessed is a tiny signal of the movement’s very serious threat to democracy.
By Cassandra Kunert
In her third post for our Weaving the Streets series, Cassandra Kunert takes a look at some of the artists who use Arabic calligraphy as a key element of their street art in Beirut and Amman. “Artists like El Qaqa and El Seed have embraced calligraphic tradition and in doing so have enriched the street art scenes in their communities,” she writes. These artists never viewed street art as an imported practice….By using traditional elements in non-traditional ways, El Qaqa, El Seed, and countless others have contributed to the development of unique art scenes that represent pride in their identity while also showing great respect for their community’s artistic heritage.”
By Cassandra Kunert
In her second contribution to our Weaving the Streets series, Cassandra Kunert checks in from Jordan’s capital, Amman. “While the street art movement in Amman is only beginning to emerge, the artists have taken the blank canvas of the city to express both the personal and the public,” she writes. “Inshallah, in the years to come they will continue using public spaces for artistic expression.”
By Cassandra Kunert
In her first installment for our Weaving the Streets project, Cassandra Kunert reports on what she observed when she went to Beirut, Lebanon, in search of street art - only to find a city whose population was rising up in huge numbers against the existing political and economic order.
Cassandra Kunert reports from Watertown, NY, where a local rally spotlighted not only democratic participation, but also the urgent need for mutual aid.