By Chloe McElligott

Weave News correspondent Chloe McElligott speaks with Jack Gilroy, a Veterans for Peace member whose lifelong journey of social justice activism has taken him from military service to self-imposed exile in Australia to campaigns against militarism throughout the United States. Situating himself within the tradition of radical Catholic antiwar organizing, Jack finds hope in the "search for young people who are individuals with a sense of true justice, have a sense of morality, who are not on an ego-trip, who are not on a power trip, but are more concerned with reaching out with compassion and generosity to the world."

By Kali Villarosa

In a period of increasing political contention and global displacement, the conversation around refugees, immigration status and documentation/legality has become more prominent within the news media. In the second installment of her Covering the Margins series exploring news coverage of marginalized populations in Buffalo, NY and Ahmedabad, India, Kali Villarosa examines how three news outlets in Buffalo have framed the story of refugee/immigrant populations in order to tell an especially celebratory story about the city itself.

By Chloe McElligott

It boggles my mind to think that the United States spends so much money and energy on war, a venture that always ultimately leads to destruction and death. Though it is debatable whether war is underreported (obviously, some wars are underreported, depending on who is fighting and dying), I do think the issues of peace movements aren’t discussed enough by the news media. This led to my desire to start interviewing pro-peace/anti-war veterans and creating miniature profiles of them, starting specifically with members of Veterans for Peace. These are people who, at some point, probably saw military service as one of the highest performances of patriotism. Eventually, however, they became disillusioned with the U.S. as a military power, and for me this gives their criticisms of war even more credibility.

By Sheila Murray

In her latest report for our Weaving the Streets project, Sheila Murray takes us to Practice Space, an innovative Boston space that focuses on "rigorous self-care" in order to "weave through its locality to strengthen a community."

By Kali Villarosa

In the first of her series comparing news coverage of urban marginalization, Kali Villarosa introduces us to two cities on opposite sides of the world that share important patterns in how marginalized communities are represented: Buffalo (NY) and Ahmedabad (India).

Basman Derawi

In this post, reprinted from the We Are Not Numbers project, Basman Derawi describes some of the challenges that come with living under perpetual siege in Gaza.

By Christian Exoo

The chances of being falsely accused of rape are similar to being struck by lightning-- one in a million. So why is the Department of Education meeting with men’s rights activists who perpetuate the myth of false accusations?

By John Collins

In this installment of our Interweaving project, I speak with two of the founders of Tribeworthy, a new media startup based in northern California. I met Jared Fesler and Chase Palmieri at the 2016 Media Freedom Summit and subsequently integrated the beta version of the Tribeworthy platform into one of my undergraduate classes. They recently launched a new version of the platform.

By Ajok Deng

As a contributor to the Weaving the Streets project, I have been looking into the issue of collective memory and the reconstruction of identities in post-dictatorship Spain. My first two blog posts focused on Lavapiés, a multicultural neighborhood in Madrid, using street art as a medium for juxtaposing modern-day activities with the history of the Franco dictatorship. This third post focuses on Santander, a city where the present and the past exist simultaneously.

By Julianne DeGuardi

In the final installment of her three-part profile of migrant farm worker Juan Garcia, Weave News reporter Julianne DeGuardi details Juan’s differing experiences with accessing health care in New York and Vermont. Read Part I and Part II.

By Savannah Crowley

In her latest post for our Weaving the Streets project, Savannah Crowley reflects on her experience of traveling to Culiacan, Sinaloa (Mexico), to “learn from activists and community leaders on the ground who are building peace in the heart of the Drug War” in the aftermath of the assassination of renowned journalist Javier Valdez.

By Julianne DeGuardi

In the second installment of her three-part profile of migrant farm worker Juan Garcia, Weave News reporter Julianne DeGuardi details Juan’s story of moving among a number of different work opportunities in New York, Vermont, and Kentucky. Read Part I.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo reveals his final act of artistic resistance. As the conclusion for this "Dissecting Boston" series, Tzintzun created a public installation on the beach of Plum Island, Massachusetts. This installation, "Forest of Watchers," embodies the subaltern gaze. It destabilizes the colonial borderlines of history; borderlines we are all complicit in constructing.

By Ajok Deng

In the Madrid neighborhood of Lavapiés, groups such as Mujeres Libres (Free Women) join anonymous street artists in expressing defiant resistance to the structures of patriarchy and the gendered violence that it generates. As part of our Weaving the Streets project, reporter Ajok Deng describes what she has been seeing on the walls, and in the streets, of Lavapiés.

By Julianne DeGuardi

As part of her continuing coverage of the issue of migrant farm workers in the North Country, Julianne DeGuardi begins a three-part profile of one worker whose journey has taken him from Chiapas, Mexico, to northern New York and Vermont.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo contextualizes his acts of artistic resistance/vandalism. To accomplish this task, Tzintzun revels his previous intrusions within the border walls of the museum. From the Metropolitan Museum of Art in New York City to the Institute of Contemporary Art/Boston, Tzintzun employed art/activism to re-politicize the white walls of censured history.

By Ajok Deng

"Skulls and bones emerge from the ground beneath your feet. They peek right above the sidewalks and leave a chilling impression of what was once hidden." Ajok Deng joins our Weaving the Streets project with a report from Lavapiés, an immigrant neighborhood in the heart of Spain's capital. "The history surrounding the dictatorship has long been buried, but it still has a way of creeping up to the surface."

By Wyatt Adams

“How can that be?” asked the older Austrian man sitting on the next barstool. “How can that many people deny accepted science?” Weave News reporter Wyatt Adams reports for our Weaving the Streets project on his visit to the annual Climate March in Vienna, where climate change denial is almost unthinkable.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo explores his Mexican American mask and the layers of racism that lie underneath the surface of Plum Island, Massachusetts. To illustrate his argument, Tzintzun narrates the act of artistic rebellion he underwent to prevent the flattening of his Mexican American heritage into a "taco." Hard shell or soft shell, anyone?